OK, the interviewer misidentifies the Packard Plant as "a club," but it's a forgivable error in an otherwise solid Q&A with the west side kid from Cooley High who started and continues to run Planet E records, one of the most influential labels in global techno.
THUMP: The film mentions Packard, a club at which Richie Hawtin was closely tied to. Did you have much to do with the Packard, or other Detroit parties like the Music Institute? What were those parties like, and how did the Music Institute differ from other parties, including Packard, at the time?
The parties at the Music Institute came before the parties at the Packard Plant. I came in as a spectator, as a music lover for the Music Institute after it had started. That was Derrick May, George Baker, and Alton Miller that were involved in that. The Music Institute was my music education. It was the closest thing to having a Paradise Garage or a Music Box in Detroit. The Packard was also the result of the Music Institute not being around anymore. It moved a couple of doors down, but it was never the same.
Read more here